Natalia Bieletto-Bueno is an Associate Professor at the Center for Research in Arts and Humanities, at the Universidad Mayor, in Chile. She holds a PhD in cultural musicology. Her research is mostly concerned with the intersections between music, sound, listening and social conflict. She listens to how sound and discourses about sound and listening have been deployed to socially classify people, and to grant or hinder social participation. By listening to sonic practices in the public urban spaces she has studied the connections between listening cultures, urban subjectivities and citizenship. She  has an historiographical interest on tackling the silences of the archive, the unsounded/inaudible, and the politics of listening.  Natalia is recently interested in designing innovative methodologies for sound ethnographies using sound design and other sound methods (podcasts, sound essays, etc) as research. Editor of Vibrant Cities: Urban Aural Experiences in Latin America (Ediciones Universidad Mayor), and author of The Musics at the Carpas Shows 1890-1930: Musical construction of poverty. (Secretar{ia de Cultura de México/AM Editions). She was the principal researcher of the project “Public space for music and sonic acts: Public policies, social actors and listening as political intervention” (PRODEP, Ministery of Education, Mexico, 2016). She coordinates the Sound and listening Research Group and is the principal investigator of the project “From Sound to listening. Methods and theories in Latin American Aural Studies” funded by Chile’s National Research Agency (ANID No. 11240463). She is a co-founding member of the Mexican Network for studying sound and listening. She is a member of the Research Nucleus Musical and Sonic Cultures of Chile (ANID-CS2022_016).